Professor Carole Bourne-Taylor

MA Grenoble-Alpes, DEA-Diplôme d’Études approfondies Grenoble-Alpes, MA Oxon, PhD (Grenoble-Alpes)

Supernumerary Fellow

I am an Associate Professor and the Fellow and Tutor in French, overseeing the teaching of French at Brasenose. I am a Member of French Sub-Faculty and Congregation and of SOAS GLOCAL Scientific Committee.

I also hold the office of Curator of the Senior Common Room.

The first highlight in my academic career was a scholarship (Allocation de Recherche) and a Monitorat d’Enseignement Supérieur from the Ministry of Research and the concomitant training I received throughout my PhD within the Centre d’Initiation à l’Enseignement Supérieur (1992-95). As an allocataire-monitrice (Junior Research Fellow), I taught French literature and culture, as well as comparative literature. I was then a Lecturer in English/American Literature at Montpellier/Nîmes (1995-96). This early experience proved a solid grounding for Oxford, where I was a Lectrice and Lecturer in French at various colleges for several years and a Research assistant to Prof. Malcolm Bowie, Marshal Foch Professor at All Souls (1999-2001), before being appointed to a Fellowship at Brasenose in 2009 and an  Associate Professor in 2021.

I have held visiting Professorships at Vilnius University and at the MODERNITAS research centre-Université Libre de Bruxelles and a Senior Research Fellowship at the Maison e la Création et de l’Innovation, Grenoble-Alpes (funded by the French Government’s Programme d’Investissement Avenir and implemented by the Agence Nationale de la Recherche ANR France 2030.

My professional development transcends my academic qualifications and includes Trans Awareness Training run by Gendered Intelligence, Mental Health Awareness Training run by Restore and Mental Health Awareness Training (supporting students) run by Sara Hitchens at Oxford. I also have Certificates in Mental Health Awareness Training for Managers, Assessing Mental Capacity and Deprivation of Liberty Safeguards.

 

I teach a range of topics in French/Francophone literature from the nineteenth century to the present. For Prelims: the close reading of modern and contemporary short texts and narrative fiction (Papers III and IV). At FHS level: French and Francophone literature of the 19th, 20th, and 21st centuries on Paper VIII, some modern and contemporary “Prescribed Authors” on Paper XI, Special Subjects (XII) on 19th-21st-century French poetry. I also teach formal grammar and prose translation.

At the postgraduate level, I teach seminars on “Poetry and Ethics” for the MSt/MPhil. I have supervised DPhil theses on comparative literature (Baudelaire and Virginia Woolf; Flaubert and Faulkner), on ‘troubled’ récits de filiation in the 21st-century; on The Construction of Balzac as a Classic Writer; as well as MSt and undergraduate theses on various intersections of 19th-to-21st-century French/Francophone literature and ethics, literature and the performing arts, the crossroads of French/Francophone literature and phenomenology (19th-21st c.) ; comparative studies.

I welcome applications from excellent students from all corners of the world and from all walks of life.

Much of my research focuses on comparative literature, literature and phenomenology, the performing arts, the problematics of mourning and modern/contemporary poetry. More recently I have endeavoured to make some of my interests coalesce in the topic of habitability, fostering collaborations with a diversity of experts, including scientists.

L’Univers imaginaire de Virginia Woolf (preface by Jean Guiguet; postface by Gilbert Durand), Paris, Editions du Temps, 2001. Read a review by Constance Hunting in the Virginia Woolf Bulletin no. 10 (May 2002)
Other publications on Virginia Woolf include:
– ‘The French Reception of Woolf: An État Présent of Etudes Woolfiennes’, in M-A. Caws & Nicola Luckhurst (eds.), The Reception of Virginia Woolf in Europe, London, Continuum, 2002.
– ‘The Ekstasis of Influence: Virginia Woolf’s Mediterranean Experience’, in Bryony Randall & J. Goldman (eds), Virginia Woolf in Context, CUP, 2013.
– ‘“The Journey is everything’: Virginia Woolf’s Continental Adventure”, in Ariane Mildenberg & Patricia Novillo-Corvalan (eds), Virginia Woolf, Europe and Peace, Clemson University Press [28th Annual International Conference, Kent University, June 2018]. 2020.

Phenomenology, Modernism and Beyond, edited with Ariane Mildenberg (preface by Kevin Hart), Oxford, Peter Lang, 2010. It includes my chapter, ‘Figures of Immanence/Imminence: “Enigma Variations” in Michel Deguy’s works’.
Reviews in Tijdschrift voor Filosofie 73 (4), 2011; Modernist Cultures 6 (2), October 2011; Comparative Critical Studies 9 (2), June 2012; Modern Fiction Studies 58 (1), Spring 2012; The Modern Language Review, 107 (4), October 2012; The Years Work in English Studies 92 (1), 2013.

Introductions to Charles Morgan’s Three Plays and Dramatic Critic. Selected Reviews 1922-39, London, Oberon, 2013. http://www.theartsshelf.com/2013/05/14/oberon-books-celebrate-dramatic-critic-charles-morgan-with-two-new-releases/
Review of Three Plays and Dramatic Critic from the Times Literary Supplement, 22 Jan 2014
(My peripheral interest in the life and work of Charles Langbridge Morgan – The Times drama critic and alumnus of Brasenose College led to a lecture at the Oxford & Cambridge Club on 1st April 2014. See The Brazen Nose, (Volume 44, 2009-10, p. 120-7) for a snippet of Morgan’s art.)

The bulk of my more recent work has focused on poethic figurations of grief and mourning and their status within an exploration of the kinship between literature and life and the search for ethical restitution.
Variations on The Ethics of Mourning in Modern Literature in French, edited with Sara-Louise Cooper (preface by Dominique Rabaté), Peter Lang, 2021 (see review (1) here, (2) here, and (3) here. My own contribution includes the critical introduction and a chapter on the poets Emmanuel Merle and Yves Bonnefoy.

I have published numerous articles/chapters/reviews on a variety of topics and authors: Shakespeare, Walter Scott, Katherine Mansfield, Arthur Miller, Paul Auster, Lady Anne Blunt, Paul Valéry, Michel Deguy, Yves Bonnefoy, Emmanuel Merle, Michel Houellebecq, Sarah Bernhardt, Kamel Daoud, Annie Ernaux and…Nation Branding (Cool Britannia).
Another interest of mine is the performing arts (drama and music and their phenomenological unfurling of the written text). In this vein, I have published an article on the Cambridge composer Jeremy Thurlow’s adaptations of Yves Bonnefoy’s poetry to music and I am currently writing a biography of Alice Sapritch (to be published by the Éditions Garnier, Paris).

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